Evan Parker's Electroacoustic Ensemble, merging reeds, strings and percussion with live signal processing to create something indescribably transformative is further amplified with the addition of free improvising vocalist and Tuvan throat singer Sainkho Namtchylak, adding an unearthly layer of interaction and transmogrification to this incredible 1996 FIMAV performance.

UK-based violinist Phillip Wachsmann, an essential player bringing contemporary approaches of indeterminacy, conceptualism and electroacoustics to the early community of improvisers and experimentalists, in a reissue of his 1984 Bead Records album, presenting his astute and sophisticated live solo performance for violin and electronics at the Actual Festival in July 1984, London.

Reissuing percussionist and electronic innovator Tony Oxley's 1977 Incus album, collecting works from Oxley's evolving approaches, including a quartet with bassist Barry Guy and violinists David Bourne & Philipp Wachsmann; a trio with Barry Guy and Ian Brighton on electric guitar; and solo pieces including a piece for Evan Parker emulating his sound through electronics.

Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980.

Quartet, trio and duo sessions between Paul Medley on alto saxophone & bass clarinet, Trevor Taylor on percussion & electronics, Matthew Hutchinson on piano, and Philipp Wachsmann on violin & electronics; improv and ea-improv that uses space and patient pacing, merging approaches from Circuit Electro-Acoustic Ensemble with an overall acoustic chamber feel--beautiful.

UK percussionist and electronic artist Trevor Taylor's Circuit project in an extended electroacoustic version with Jon Seagroat on reeds & electronics, Tim Chatzigiannis on computer & electronics, Mathew Hutchinson on piano, Paul Medley on reeds, and Philipp Wachsmann on violin & electronics, in carefully controlled and sublimely detailed improvisation.

LAST is part of a series by Caroline Kraabel (LIO, Remote Viewers) mixing live improvisation with pre-recorded material provided by Robert Wyatt for this purpose, performed live at Cafe OTO in two versions: first where the 15-piece ensemble has not yet heard the Wyatt interventions, and second where they were familiar with and use his voice to structure what they play.

Reissuing the 1977 album from UK guitarist Ian Brighton, written as an instrumental story for children, apparently very sophisticated children, in a mix of composed and freely improvised passages, using non-idiomatic approaches with unusual and extended techniques, open atmospheric passages and strange transitions, a peculiar and wonderful album of imaginative playing.

Trevor Taylor's Circuit electroacoustic ensemble, here as a quartet with Paul Dunmall on saxophone, Ashley John Long on double bass, Philipp Wachsmann on violin & electronics, and Trevor Taylor on percussion & electronics, recording at Kingston University for the five-part work "DE" "CE" "EM" "BE" "R", intricate and introspective improv that builds and recedes through restrained squalls.

The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.